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To me, this is an absolute gem. Watched it on Netflix, just because I had nothing better to do. I didn't know anything about this beforehand - and that's the way this is meant to be watched. I was captivated, baffled, horrified and never did I guess what is going to happen next, not once. There are more or less subtle hints throughout the movie that not only shed some light on the bizarre ending but also keep building that disturbing mood that grows stronger and stronger as the movie progresses. Why this is a hard film, for many, to watch: • It is extremely violent. This is not gore for gore's sake, this is brutal, dark and realistic violence that adds to the disturbing mood this movie sets.

This is not enjoyable violence, this is gripping and shocking violence. • It gradually changes its tone from a crime story to something surreal, disturbing and mysterious. I loved that, the movie surprised me. The tonal shift won't please everyone.

The overall storyline of 'Kill Bill', a woman seeks revenge on a group of people, crossing them off a list one by one as she kills them, is adapted from 'Lady Snowblood', a 1973 Japanese film in which a woman kills off the gang who murdered her family. There appears to be an inconsistency with the list.

• The final act is bizarre and certainly does not clearly explain itself. While I was shocked and wanted to have more answers, I really thought that if a movie needs to have an ambiguous ending, this is the way you do it.

There are hints along the way, but nothing is too clear or spoon-fed. For many, the ending is a dealbreaker or seals the deal. I loved this movie already before the final act, but there's no denying how powerful the ending is.

Also, I'd like to say that there's so much quality in this movie that I really don't think the somewhat open ending is a product of lazy writing. I think it's the product of careful, genuinely good filmmaking. The acting is phenomenal. Damn you Brits, you really sometimes surprise me. The characters feel like real people. Handling of music, cinematography, editing.you really can see how well this movie is crafted, seems like nothing is rushed or forced and many things are definitely missed on the first viewing. This might look like a cheap, unambitious film at first, but I really think it's quite the opposite.

This is, in my mind, an intelligent film. Not a slasher, but an intelligent, shocking story. This is a hard movie. Hard to watch because of the brutality, hard to totally comprehend because of the ambiguity.

But it got me. I was thrilled all the way to the end. Possibly the most disturbing movie I've seen in years, and I've seen a lot of questionable stuff. I don't remember having such an emotional response to a movie for a long, long time. I don't know if I'm going to see it again, because it really disturbed me so much. But I know this: I was captivated, thoroughly at the mercy of this movie, and it didn't let me go. If you like weird thrillers, check this one out.

There's some serious quality and effort here. The Kill List is totally brilliant - and absolute rubbish.

More specifically, the first 75% of the movie is fantastic - sharply written, wonderfully acted, supremely directed, and filled with tension and realism. And then it all goes wrong. I'd heard a few reviews of this film before choosing to see it, and it irks me that not one of them revealed that the last quarter of The Kill List is so divorced from the first that it's like watching a different film altogether. It reminded me of Charlie Kaufman's brilliant Adaptation, where the lead character's idiot brother suddenly steps in to finish the movie. Hilarious in that case - mystifying in this.

Ben Wheatley and Amy Jump start by crafting a stunning examination of the family life of a suburban hit-man that makes The Sopranos look glitzy. Neil Maskell is unnerving as Jay, whose long hiatus from 'work' has led to constant fighting with his wife. Their son witnesses the discord, and the tension and humanity is palpable. Then Jay is drawn back into doing a well-paid job by his old crony, Gal, and the plot starts to thicken. Gradually the low-key family realism gives way to a realism of a far nastier kind, coupled with sudden moments of real mystery and total surprise. Wheatley layers the non-action with skill, and really knows how to ratchet up the intrigue. The three main characters are all very good, and even the smaller roles of the son and girlfriend are well played and brilliantly written.

You get the feeling you are watching something very special unfold on screen, with no indication of how it will all be resolved. I am a hardened end-guesser and am often right, but with this movie I had NO IDEA where it was going, which is exciting and rare. However, just as I was preparing for a stunning denouement with all the seemingly-impossible ends tied up, The Kill List turned an ankle and tripped into a ditch full of dung. I'm not into writing spoilers - even when the filmmakers have done more spoiling than I ever could in this case.